Eye, eye!

 

The odd creature in the large reading glasses is me, but the monster on the left is a large elephant hawk moth caterpillar. He was lying flat to the stem of the evening primrose plant, but when confronted by my alarming visage he retracted his elephant snout ( hence the name) swelled up his head prodigiously and waved his huge eye markings at me in an impressively menacing way.  He was quite harmless, but his display of monster mimicing should repel all but the most agressive predator!

We have had some welcome rain, which has brought out a banquet of slugs for the hedgehogs. Last night I found a youngster drinking deep from the water in the saucer of a just watered plant and later this afternoon , in broad daylight, a larger hedge hog was drinking unconcernedly from the saucer of water I always leave on the lawn.

This large, old plant saucer has provided water for generations of hedgehogs, for wasps and sparrows and black birds. It isn’t pretty, but it has been a life saver, so keep an eye on the wild visitors to your garden by keeping the water topped up. You never know what you might see!

 

 

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In plain sight ( 2)

The garden is alive with butterflies by day and moths by night. Some moths are bright and some butterflies are drab. This ringlet took a break from feeding on marjoram flowers in the sun and rested a momement amonst the drying seeds. Blink and you miss it, but she had found the perfect camouflage and sat awhile until I had time to photograph her and then she flitted on in her unfathomable world.

 

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July (lying in a hammock)

The afternoon heat rises, the brown cases of lunilaria, peeled back to reveal the secret moonlight of the seed septum, scratch light along the stones.

Small bees vibrate in the Russian Sage .  Blue tit fledgelings are unexpectedly insistent: hungry, hungry, hungry in the sallow.

And then again, the quiet.

The church clock dolles out the half hour of stillness, one note at a time . The crow with sore throat calls familiar.

Nothing.

A frill of swallow song thrown over head and then gone.

A car. The ravens roll distant above the forest .

The bees…the bees….. bee…. b…

 

 

( for James Wright)

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Water

I peered into the water butt and thought of Seamus Heaney’s great poem about looking down into ourselves, into history and into myth to find poetry.

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As a child, they could not keep me from wells
And old pumps with buckets and windlasses.
I loved the dark drop, the trapped sky, the smells
Of waterweed, fungus and dank moss.

One, in a brickyard, with a rotted board top.
I savoured the rich crash when a bucket
Plummeted down at the end of a rope.
So deep you saw no reflection in it.

A shallow one under a dry stone ditch
Fructified like any aquarium.
When you dragged out long roots from the soft mulch
A white face hovered over the bottom.

Others had echoes, gave back your own call
With a clean new music in it. And one
Was scaresome, for there, out of ferns and tall

Foxgloves, a rat slapped across my reflection.

Now, to pry into roots, to finger slime,
To stare, big-eyed Narcissus, into some spring
Is beneath all adult dignity. I rhyme
To see myself, to set the darkness echoing.

Unmistakable!

This beauty is a privet hawk moth and is the most spectacular catch of the moth trap this summer. She was peacefully happy to be photographed in the morning, showing off her spectacular underwings before folding them tidily away and resting for a while in the shade of the table leg.

She seemed oddly familiar even though I know I have never seen this wonderful creature before. It wasn’t until I was sending my records in to our local wildlife site

( faune-alsace) that I realised the privet hawk moth is the cover illustration on my Chris Manley Guide to British Moths.

She was even bigger and better in real life!

 

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The symphony of the rain.

Bright sunlight is rolled over by dark clouds.

The dry garden waits.

The butterflies disappear. In the distance the low rumble of thunder begins. A single note of rain on the dusty branches. A shiver of upturned tree leaves shakes through the garden. Above the sudden clash of lightening and the drum roll of rain begins. Faster and faster all expectation is filled with the music of rain, an orchestra of trees and tin roofs and water butts gushing and spewing sweet water. The rain is dancing upwards now as the huge drops explode on the stones, treatening destructive hail, but resolving instead into a gentle melody of steady rain and the silver strings of the replenishing water butt.

The swallows reappear in high chorus, hunting insect  pushed down by the clouds. The blackbirds thinks it is dusk and sings again. My tomcat slides by yowling indignantly at being wet, as if I were responsible for the rain.

I only wish I could take the credit for this much loved gardener’s song : sweet rain on a dry earth!

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Elizabeth (and her German Garden)

Some writers you love, even though you know you shouldn’t.

Elizabeth von Arnim was rich and incredibly privileged. She was born in to money and married into European aristocracy. She wafted through a beautiful garden admiring the flowers and thwarted in her desire to get her hands dirty only by her attentive gardeners.

And yet I love her passionately.

She wrote about virtually nothing, if you need exciting plots and varied stettings she will infuriate you. If you require complex characters and cliff hanging action, she will bore you.  However, if your heart yearns for green spaces, for gardens and perfumes and flowers, if you basically long for solitude and self determination then Elizabeth von Arnim is like walking into a quiet room after the deafening roar of a city street.

She is most famous for Elizabeth and her German Garden, but my personal favourite is the Solitary Summer .

This is opening to “A Solitary Summer”, which is free on project Guttenberg, as it is out of print.

“May 2nd.—Last night after dinner, when we were in the garden, I said, “I want to be alone for a whole summer, and get to the very dregs of life. I want to be as idle as I can, so that my soul may have time to grow. Nobody shall be invited to stay with me, and if any one calls they will be told that I am out, or away, or sick. I shall spend the months in the garden, and on the plain, and in the forests. I shall watch the things that happen in my garden, and see where I have made mistakes. On wet days I will  into the thickest parts of the forests, where the pine needles are everlastingly dry, and when the sun shines I’ll lie on the heath and see how the broom flares against the clouds. I shall be perpetually happy, because there will be no one to worry me. Out there on the plain there is silence, and where there is silence I have discovered there is peace.”

“Mind you do not get your feet damp,” said the Man of Wrath, removing his cigar.”

 

Elizabeth (1866-1941) was her pen name. She was born Mary Annette Beaucham in Australia, but only lived there for the first few years of her life and her cousin was the famous New Zealand writer Katherine Mansfield. She married a German noble man and they lived in Berlin until she discovered that her husband owned a country estate in Northern Germany.  The family was moved there and she revelled in the beauty of her garden and the surrounding countryside. She may have been wealthy, but she was still “only “ a woman at a time when women were expected to hold their tongues and uphold social niceties , when she would much rather be alone and free under open skies. Her descriptions of beauty are unsurpassed and I find her observations of humanity refreshingly witty and biting, which to me is an irresistible combination.

Her novel about leaving the rain of London with a group of other disappointed women, to find escape and peace for a short time in an Italian castle was made into a lovely  film “The Enchanted  April” which I can strongly recommend.

Elizabeth wrote to find her own voice in a restraining world; to revel in the beauty of a garden and to make money. She was hugely popular in her day and after her husband lost his fortune, she kept the family afloat. Eventually she divorced her German count and become an independent literary woman in her own right and grew her own  perfect garden in Switzerland .

I would dearly  have loved to swap cuttings with her!!

 

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Sun rise, sun set …..

I love being on holiday and having the time to spend whole days in the garden, not just snatched moments between work and sleep!

Evening primroses are wonderful flowers that uncoil themselves in the twilight and become luminous saucers of pale yellow in the darkness. Watching their opening from a garden seat,  as the blackbirds fuss themselves down to sleep, is one of the great pleasures of high summer. The flowers are open all night and as soon as the bees and butterflies wake up in the morning, they throw themselves into the generous feast of pollen and nectar .

In the early morning, there  is time to explore the fields that we usually blurred by in the morning commute.

Green finches wheeze companiably from the hedgerows; sparrows explode in raucous flocks from the ripe wheat and poured over everything, like thick cream, is the complex beauty of the blackcap’s song.

On the edge of the yellow wheat, poppies are starting to open. The green calyx of the bud is being shrugged off like an uncomfortable hat. The flower stem is vibrating visibly with the effort of releasing the petals. A moment’s waiting as the sun rises and the poppy is open; crimson petals still frilled with the shape of the bud. A moment more  and a bumble bee has found it and vibrates in ecstasy in the brand new black pollened centre of this poppy, that will have dropped every scarlet petal by the mid day sun.

The opening of the flowers mark each wonderful, transient day of our holidays and of our lives. Enjoy!

I am watching you!

Summer is so full of life. It is difficult to know where to look.

Huge oaks thrash in a thunder storm; the ears of a hiding fawn flick above tall flowers; a wet butterfly waits for the sun under a rain soaked flower.

Cameras give us the chance to see somethings we missed the first time. This angle shades moth is a tribal mask watching us more intently than we think!

(Thanks to Bruce Piercy for this photo).

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