Reading in November.

7D932C49-7DBC-403E-B8BD-D6D1E75A0919.jpegNovember is a month to read in. The garden has died back and after work there is no light left to admire what has survived.

And so I read.  Serendipity  has provided an eclectic selection recently thanks to a school book sale.

Firstly I am reading Peter Camenzind by Herman Hesse; then A Fool’s Alphabet by Sebastian Faulks; a biography of Jame Joyce by Herbert Corman and The Ascent Of Money by Niall Fergusun.  This may sound impressive, but I admit now that I am reading them with varying success.

The Ascent of Money is on its way back to the library.  I am 60 pages in and waning.  I started well. The introduction was arresting. The average salary of an American in 2007 was $34,000.  The chief executive of Goldman Sachs, a man called Lloyd Blankfein, received  $ 46 million dollars – per year. I cannot even conceive of such a sum, so I had to read on. Fergusun explains metal money the gold and silver of South America that fueled Spain and Europe in fascinating detail, but once he goes into the methods of banking  and accountancy that grew out of Renaissance Italy, I struggle and start to skip pages. As life is short, I move on!

The James Joyce biography was written the year after Joyce  died. The stamp in the front of the book shows it was  bought in India and then the inscription shows it was given as a  present. It was sold from a library, no doubt its outspoken opinions on everything from Irishness to politics, coupled with its lyrical description deemed it unfashionable, but I am greatly enjoying it . I savour it in tart, cool, evocative slices.

Peter Carmenzind was writen in 1904 by Herman Hesse, before either of the terrible wars ripped through Europe . The hero was born in a remote Alpine village, which was not considered romantic. He climbs his mountains, but no one skis down them and the concrete and the chair lifts of 21century are an inconceivable future scar. The descriptions of the Föhn wind roaring up from the soft south to rock the roots of the icy peaks are memorable.

The book that I read each night at the moment is however A Fool’s Alphabet. This shows the life of a child of a British soldier and an Italian woman; told over places which begin which each letter of the alphabet in order. To achieve this, the story is not chronological, but swings between settings to cover each letter in turn. Rather than being contrived or disorientating, this structure is unexpectedly pleasing, as it seems to mirror the random nature of memory. I know I am enjoying it because I don’t want it to end too soon!

It is odd to write about what I am reading, as I don’t aim to recommend these books to anyone. It is rather like introducing acquaintances to one another at a rather badly lit party.

Reading in November is like that.

 

 

 

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Elizabeth (and her German Garden)

Some writers you love, even though you know you shouldn’t.

Elizabeth von Arnim was rich and incredibly privileged. She was born in to money and married into European aristocracy. She wafted through a beautiful garden admiring the flowers and thwarted in her desire to get her hands dirty only by her attentive gardeners.

And yet I love her passionately.

She wrote about virtually nothing, if you need exciting plots and varied stettings she will infuriate you. If you require complex characters and cliff hanging action, she will bore you.  However, if your heart yearns for green spaces, for gardens and perfumes and flowers, if you basically long for solitude and self determination then Elizabeth von Arnim is like walking into a quiet room after the deafening roar of a city street.

She is most famous for Elizabeth and her German Garden, but my personal favourite is the Solitary Summer .

This is opening to “A Solitary Summer”, which is free on project Guttenberg, as it is out of print.

“May 2nd.—Last night after dinner, when we were in the garden, I said, “I want to be alone for a whole summer, and get to the very dregs of life. I want to be as idle as I can, so that my soul may have time to grow. Nobody shall be invited to stay with me, and if any one calls they will be told that I am out, or away, or sick. I shall spend the months in the garden, and on the plain, and in the forests. I shall watch the things that happen in my garden, and see where I have made mistakes. On wet days I will  into the thickest parts of the forests, where the pine needles are everlastingly dry, and when the sun shines I’ll lie on the heath and see how the broom flares against the clouds. I shall be perpetually happy, because there will be no one to worry me. Out there on the plain there is silence, and where there is silence I have discovered there is peace.”

“Mind you do not get your feet damp,” said the Man of Wrath, removing his cigar.”

 

Elizabeth (1866-1941) was her pen name. She was born Mary Annette Beaucham in Australia, but only lived there for the first few years of her life and her cousin was the famous New Zealand writer Katherine Mansfield. She married a German noble man and they lived in Berlin until she discovered that her husband owned a country estate in Northern Germany.  The family was moved there and she revelled in the beauty of her garden and the surrounding countryside. She may have been wealthy, but she was still “only “ a woman at a time when women were expected to hold their tongues and uphold social niceties , when she would much rather be alone and free under open skies. Her descriptions of beauty are unsurpassed and I find her observations of humanity refreshingly witty and biting, which to me is an irresistible combination.

Her novel about leaving the rain of London with a group of other disappointed women, to find escape and peace for a short time in an Italian castle was made into a lovely  film “The Enchanted  April” which I can strongly recommend.

Elizabeth wrote to find her own voice in a restraining world; to revel in the beauty of a garden and to make money. She was hugely popular in her day and after her husband lost his fortune, she kept the family afloat. Eventually she divorced her German count and become an independent literary woman in her own right and grew her own  perfect garden in Switzerland .

I would dearly  have loved to swap cuttings with her!!

 

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Reading the holidays

We have been off visiting and the birds have abandoned the garden after just a few days without seed, grain or bread crumbs.

So, there is nothing to look at, but plenty of books to read in this blissfully quiet time of year. So what am I reading? Well as usual, I am reading lots of things at once, which is confusing only when the characters meet in my dreams in an after lunch snooze.

Firstly, I am reading “A Visit to Don Octavio” by Sybille Bedford which is a wonderful piece of period travel writing in which two American  women explore Mexico and discover its lush delights and also that, as Don Octavio says, “You will be very uncomfortable and not at all happy”, if they stray from his elegant hacienda.

I am also reading “William the Outlaw”by Richmal Compton and “William the Bandit” as the pitch perfect vignettes of 1930s Britain, with their caustic line drawings which could not have been bettered  by PG Woodhouse and are definitely wasted on children.

To keep me sane on the plane, I escaped in wonderful Muriel Sparks’ “The  Mandelbaum Gate” and the turmoil and intrigue  of the Israel and Palestine border was as heady in 1960s as it is in 2017. I still don’t know what happened to BarbaraVaughan and must read on.

I have just picked up Oliver Rackham’s “The History of the  English Countryside” and am already captivated by his photos of the long lost elm trees of England and for interludes I am savouring the perfect poems of Sasha Dugdale in her collection “Joy”.  “ How my friend went to look for her roots” is more toothsome than a  hazelnut cluster!