Cat with the snow falling
Contemplates the spaces where the snow is not,
The sliding spaces that come and go
Talking of Micheal Angelo
And of nothing
Filling and falling,
Falling.
Cat confused for an instant by the particular,
That piece of snow that will not go,
The one that makes a streak and catches the eye
But then her eyes cannot follow it any more
And it falls with all the rest
Merges into the general white,
The soft white
Falling
Falling
Falling.
For Kate. 1962- 2021
When the leaves are gone you can see the shape of the land,
When the leaves are gone, only wood can hide you,
When the leaves are gone there is no flounce, no pretense,
When the leaves are gone the air moves freely and the dance is over:
For a while.
The race between the frost and the late sunshine is being run hard in my little garden. The blackberries are glossy, but still a day or two away from sweetness: the frost is forecast for the approaching full moon.
I thought of Seamus Heaney’s disquieting poem “Blackberry Picking “ where he is acutely aware of the childish desire to hoard all sweet things along with the adult recognition of the transience of life.
Poets can spoil everything by always showing us the skull beneath the skin.
...the blackberries would ripen.
At first, just one, a glossy purple clot
Among others, red, green, hard as a knot.
You ate that first one and its flesh was sweet
Like thickened wine: summer’s blood was in it
Leaving stains upon the tongue and lust for
Picking. Then red ones inked up and that hunger
Sent us out with milk cans, pea tins, jam-pots
Where briars scratched and wet grass bleached our boots.
……..
Once off the bush
The fruit fermented, the sweet flesh would turn sour.
I always felt like crying. It wasn’t fair
That all the lovely canfuls smelt of rot.
Each year I hoped they’d keep, knew they would not.
Seamus Heaney, “Blackberry Picking” from Opened Ground: Selected poems 1966-1996
This is the only lily that survived the hail storm . It is damaged but it’s perfume is undiminished and breathtakingly lovely.
It made me think of this wonderful poem by the Polish poet Adam Zagajewski. I was looking for a copy of the poem on the Poetry Foundation Website and I found that he had died only a few months ago. This poem has circled in my head since I first read it . The poem is universal , deeply human and the author was a great poet .
By ADAM ZAGAJEWSKITRANSLATED BY Clare Cavanagh
Try to praise the mutilated world.
Remember June’s long days,
and wild strawberries, drops of rosé wine.
The nettles that methodically overgrow
the abandoned homesteads of exiles.
You must praise the mutilated world.
You watched the stylish yachts and ships;
one of them had a long trip ahead of it,
while salty oblivion awaited others.
You’ve seen the refugees going nowhere,
you’ve heard the executioners sing joyfully.
You should praise the mutilated world.
Remember the moments when we were together
in a white room and the curtain fluttered.
Return in thought to the concert where music flared.
You gathered acorns in the park in autumn
and leaves eddied over the earth’s scars.
Praise the mutilated world
and the gray feather a thrush lost,
and the gentle light that strays and vanishes
and returns.
I was listening to a program about the importance of the written word: the really written word, made by a human being pushing a pencil along a sheet of paper . I was inspired to share a poem I wrote this morning after listening to bird song from the garden through an open window.
The physical words have an added significance for me, as they are increasingly hard to make. I have Multiple Sclerosis and hand writing can be almost impossible for me some days, likewise typing . Voice dictation does not allow for poetry . The whole point of the unexpected word perplexes the machine and it will change and change it again until it has made dull prose out of something that I wanted to catch the light unexpectedly, like the song of the blackbird.
I hope my writing is good enough for you to read is all senses of the word!
They shut the road through the woods
Seventy years ago.
Weather and rain have undone it again,
And now you would never know
There was once a road through the woods
Before they planted the trees.
It is underneath the coppice and heath,
And the thin anemones.
Only the keeper sees
That, where the ring dove broods,
And the badgers roll at ease,
There was once a road through the woods.
Yet, if you enter the woods
Of a summer evening late,
When the night-air cools on the trout-ringed pools
Where the otter whistles his mate,
(They fear not men in the woods,
Because they see so few.)
You will hear the beat of a horse’s feet,
And the swish of a skirt in the dew,
Steadily cantering through
The misty solitudes,
As though they perfectly knew
The old lost road through the woods…
But there is no road through the woods.
I
As Europe goes back into lock down for everybody except for front line workers ( which now includes school teachers as well as health workers!), maybe Rudyard Kipling’s famous poem should be adapted to –
“they shut the road to the city
Seventy years ago …..“
Before the rain the peonies were perfect.
Before the deluge the roses were pristine,
The lawn was trim and the slugs asleep,
But after the storm, in the snail slimed, dripping quiet,
The perfume was divine.
It rained heavily here after weeks and weeks of bright sunshine and the bees were driven in under the shelter of the dripping patio. Luckily there were enough tangled wall flowers half in the rain and half under the cover to provide them with nectar and pollen away from the falling rain. Listening to the bees I thought of Yeats lovely line of poetry and of all the wonderful sounds of the “deep heart’s core”.
The leaves have come dark and green, green, green filling in the gap where the wind blew.
The longed for rain fills the flowers and bends the petals down to the grass.
A chaffinch sings the single note of its rain song green, green, green, time, time, time rolls in the cool, wet garden.
Beyond is the daily Sunday quiet and the leaves fill in each gap while the air lies still and heavy.
Magpie flying in the storm
a straight line against the flying white
chaos of snow.
Snow in all directions
the air made visible in all dimensions
above, below, between
and the magpie dark, a flat arrow
just making for home
in one single dimension
pulling desperate order along
on it’s piebald tail.
Greedy for the light they press soft leaves to the cool glass
The stems yearn over one another
Etiolated by desire.
The storm splatters rain hard against the window
The roof lifts a little in the wind
Groaning to resettle it’s self on the February house.
The empty quater of view is suddenly red kite –
Angled tail and feathers quartering the lift and bluster of the day.
Inside, the leaves press harder.
In winter the whole world seems older.
The houses are lit up, but the gardens are empty, only rain and wet birds buffet over the sodden ground. Youthful pretention is swept away; no awnings and patio furniture; no bbqs; no tofu: just wind and dead leaves.
A kite quarters in the dark clouds; a bull finch calls with its monotonous single note; the wind chimes clash in a sudden squall and the wood smoke blows the years away between today and Bruegel and every long, waiting winter day, still raging at the dying of the light.
C
Chaff scuds before the wind
low and twisting, it lifts and turns like laughter.
The harvest has long since been gathered
and only the paper that curled around the husks remains behind.
Chaffinches, dun brown and rose chested chatter from rose hipped hedge to empty field,
And when they turn in the late winter light,
no one can tell them apart.
From View With a Grain of Sand, Selected Poems, Faber, 1996, translated by Stanisław Barańczak and Clare Cavanagh
Oh, the leaky boundaries of man-made states!
How many clouds float past them with impunity;
how much desert sand shifts from one land to another;
how many mountain pebbles tumble onto foreign soil
in provocative hops!
Need I mention every single bird that flies in the face of frontiers
or alights on the roadblock at the border?
A humble robin—still, its tail resides abroad
while its beak stays home. If that weren’t enough, it won’t stop bobbing!
Among innumerable insects, I’ll single out only the ant
between the border guard’s left and right boots,
blithely ignoring the questions “Where from?” and “Where to?”
Oh, to register in detail, at a glance, the chaos
prevailing on every continent!
Isn’t that a privet on the far bank
smuggling its hundred-thousandth leaf across the river?
And who but the octopus, with impudent long arms,
would disrupt the sacred bounds of territorial waters?
And how can we talk of order overall
when the very placement of the stars
leaves us doubting just what shines for whom?
Not to speak of the fog’s reprehensible drifting!
And dust blowing all over the steppes
as if they hadn’t been partitioned!
Or voices coasting on obliging airwaves,
that conspiratorial squeaking, those indecipherable mutters!
Only what is human can truly be foreign.
The rest is mixed vegetation, subversive moles, and wind.
From View With a Grain of Sand, Selected Poems, Faber, 1996, translated by Stansliaw Baranczak and Clare Cavanagh.
I am almost over my horror of fungi.
This autumn has been extraordinary in the rich variety of mushrooms coaxed up by the rain, but I will never be tempted to eat any of them again.
This particular mushroom cap was thin and as smooth as porcelain. The edge was lined, as if it had shrunk back with delicate avoidance of the falling leaves pattering down all around it.
The aspen leaves were yellow and then black – no warming russets or browns to lull you – they know winter is coming and lay down to die with minimal fuss.
They only leave behind an unexpected perfume without the slightest a hint of decay . Something soft left lingering in the air.
The autumn raspberries are always small.
My fingers fumble for them amongst the yellowing leaves.
There has been just enough sun to ripen a few hard green knots into fragrantly
soft fruit, bowed down now in easy reach of the gleaming slugs.
And now the rain.
A benediction of mist in a quiet grey sky
Makes slippery the sticky handle of the little basket.
My fingers close lightly and tug to loosen the wet fruit from the white stipe
But the raspberry crumbles, the droops bleed juice and rain onto my hand.
I should have picked them long ago.
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Summer rain, washing away the dust: cleaning and cooling the clouds and leaving grey sheets of warm perfumed air in its wake.
Butterflies shelter in the vine dry against the house wall.
The lavender is curved down by the wet weight of its own heavy loveliness .
Pale hollyhocks cup bees circling the stiff stigmas untroubled by the slanting rain.
The cat leaves off hunting sparrows sheltering on the bird table, in order to cringe from the low thunder.
Now it is glittering sunshine, now black towering clouds, now the suffocating perfume of budliea breathing through the saturated air.
Will there ever be a day like this again?
I saw this wonderful graffiti this week near a hydroelectric dam on the Rhine river.
I was thinking of it as I watched the sky light up over Basel in celebration of Swiss national day this evening.
There are places to watch stars and places to watch fireworks – both are beautiful and both are transitory.
( For those of you who have to study this poem for an exam – trout are fish that make a circular ripple on the surface of the water as they come up for air hence “trout ringed pools”)
While I was watching fat flanked trout flick in a clear stream as the evening fell, I was reminded of the lines from the Kipling poem The way through the woods:
“when the night air cools on the trout ringed pools,
Where the otter whistles his mate,
(they fear not men in the woods because they see so few..)”
I love the repeated ” oo “sound, which makes the line so wonderfully peaceful and elongated like a sigh of satisfaction.
It is a wonderful poem for evoking sounds as well as sights.
I particularly like the alliteration of ” the swish of the skirt in the dew” where the repetition of the ” s” in “swish” and “skirt ” mimics the sound of the fabric brushing through the grass .
The metre of the rest of the line ” steadily cantering through ….” lets the reader actually feel the movement of the horse as it makes that unmistakable jerky double step of a horse cantering on the path in the “Misty solitudes” .
Kipling manages to evoke such a hauntingly lovely place through his almost effortless use of visual and auditory imagery .
As with all poems worth loving, you should read this aloud to yourself, just to feel the words roll in your mouth. Enjoy!
The Road through the Woods.
THEY shut the road through the woods
Seventy years ago.
Weather and rain have undone it again,
And now you would never know
There was once a road through the woods
Before they planted the trees.
It is underneath the coppice and heath,
And the thin anemones.
Only the keeper sees
That, where the ring-dove broods,
And the badgers roll at ease,
There was once a road through the woods.
Yet, if you enter the woods
Of a summer evening late,
When the night-air cools on the trout-ringed pools
Where the otter whistles his mate,
(They fear not men in the woods,
Because they see so few.)
You will hear the beat of a horse’s feet,
And the swish of a skirt in the dew,
Steadily cantering through
The misty solitudes,
As though they perfectly knew
The old lost road through the woods.
But there is no road through the woods.
Ruyard Kipling.
Walking by the edge of an old duck pond , the shadowed earth between the grass shivered. A tiny vibration of stalks and a sense that the ground was spotted with raindrops falling upwards: the frogs had emerged.
Great lumbering things that we are, we minced and high footed our way, conscious at once of our potential to massacre with each clumsy foot fall.
This single froglet rested momentarily in an outstretched hand. Its pin prick heart beating blood around around this minuscule body; nerves registering our heat, eyes wide to the boundless ocean of our enormous flesh.
Two animals together for a single heartbeat next to an old duck pond in the July shade.
Today was the sound of kestrels learning to fly, keening, crying , mewing, mewling, over and over as they flopped and fell and soared and swooped for the very first time out of crowed malodorous nests in dark church towers out, out into the wide blue sky flying with clouds and martins and jackdaws and the clacking of stork bills and the unrepeatable perfume of lime trees in flower for the first time, the first time, the very, very, first time in to the new world.
Heavy rain brings quiet mornings.
Snakes of pine needles on the path show where water flowed in the night.
Poppies are slow to open in the cool hours and there is time to watch them shrugging off their sepals to expose their dark hearts to the hungry bees.
Droplets cling to the folds of lady’s mantle leaves – the name from the shape of the folds in the Virgin Mary’s cloak.
And the birds: such a rich waterfall of music from the birds, as they take the cloudy day for dawn and sing each fresh washed note over and over again.
The Lady of Shallot by Lord Tennyson
On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro’ the field the road runs by
To many-tower’d Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.
Willows whiten, aspens quiver,
Little breezes dusk and shiver
Through the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four grey walls, and four grey towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.
…….
In the summer a stand of aspen trees quiver, their leaves dusk and shiver in the slightest breeze and I always think of these lovely lines from Tennyson’s famous poem. I saw the first wild cherry blossom today in a sheltered bend in the river, but we are still a long way from leaves, so I thought I would share a photo of the unexpectedly bright green catkins of the aspen sharing a branch with mistletoe, as winter and spring swap places.
Over the garden a red kite mewling like a kitten, so close I could reach out my hand and brush the polished perfect feathers.
Kite silhouette again the racing blue sky, the cat crouches low and the bird is gone, piping and laughing into the clouds.
And now another and another.
They twist around each other, wings touching the roof tops delighting in the fitful wind, hail flung after them and the sunlight chasing them.
Flame forked tails angle and the birds turn, quartering the spring sky into slabs of changing colour. Four birds over my tiny garden, calling to each other for the whole spring day.
Flirting, testing partners, laughing: dancing.
TS Elliot said « April is the cruelest month » as it stirs dull desire, but I dont think he was a gardener. Shoring up the ruins of Western civilisation in his poetry must have left him little time to appreciate that March is a far crueler month, as the anticipation of spring is so sharp it hurts.
I am impatient by nature. After the first snow drops and catkins prove winter is dead, then I want full leafed, green pulsing life back in my garden and in the fields and fast! I want long grass and swaying trees, butterflies, birds and moths, but must make do with worm casts and buds that seem clenched as tight shut as a fist.
To compensate I turn to the garden centre and buy spicey perfumed pinks and heady jasmine to speed things along. I know they will languish before long for lack of light, but for now I can bathe in thier perfume between the pepper pots and salt cellar, as I wait for the firsfists to unfurl.
What a shout! What a yell of life and light, after so much winter!
Spring is wonderfully early, the sky is scoured blue and burnished in sunshine.
Catkins of expanding hazel are pulled out in the unexpected heat and the bees appear from no where.
Pollen clouds of sherbet yellow are thrown up into widening, widening, wonderful opening sky!
For Kathleen 1929 – 31st January 2019.
Snow at the end of winter
High heaped, brittle,
Chaffinches fiddling for grain
In stunted grass.
And then –
Flight –
Strong, short wings,
A sound of flight
A movement of the air
A flash of complicated colour.
Blue, blue, bright sky
A flat, simple palette of love
Lightens their escape.
A great poet and observer of the natural world has died. As she said of herself:
“There’s Oliver, still standing around in the weeds. There she is, still scribbling in her notebook… but at the center: I am shaking; I am flashing like tinsel.”
His beak could open a bottle,
and his eyes – when he lifts their soft lids –
go on reading something
just beyond your shoulder –
Blake, maybe,
or the Book of Revelation.
Never mind that he eats only
the black-smocked crickets,
and the dragonflies if they happen
to be out late over the ponds, and of course
the occasional festal mouse.
Never mind that he is only a memo
from the offices of fear –
it’s not size but surge that tells us
when we’re in touch with something real,
and when I hear him in the orchard
fluttering
down the little aliminum
ladder of his scream –
when I see his wings open, like two black ferns,
a flurry of palpitations
as cold as sleet
rackets across the marshlands
of my heart
like a wild spring day.
Somewhere in the universe,
in the gallery of important things,
the babyish owl, ruffled and rakish,
sits on its pedestal.
Dear, dark dapple of plush!
A message, reads the label,
from that mysterious conglomerate:
Oblivion and Co.
The hooked head stares
from its house of dark, feathery lace.
It could be a valentine.
It has been raining here. Wind in the fir trees, wind rattling the shutters and soft, almost incessant rain.
The summer and autumn were long, hot and dry. The neighbours were noisy and open windows let in little cool air and plenty of racket; so when the temperature finally dropped it was a pleasure to close the windows and listen the gentle drum of rain on the roof.
My favourite stream in the woods has been dry for months, but after so much rain I felt sure it must be running again.
Today we squelched up passed the bare trees and luminous moss to find clear water running over scoured rocks.
The sound was deliciously simple and clean. The great sponge of the forest had soaked up enough rain to allow the stream to flow above ground again, sweeping away the dark autumn leaves of the bed to reveal the bright pale limestone beneath. The rain patered on the brim of my felt hat. The harts’ tongue ferns glowed green in the winter gloom; a whirl of chaffinches shook water from the smooth beeches and the ravens laughed high over head : “there will come soft rains…”
(War Time)
There will come soft rains and the smell of the ground, And swallows circling with their shimmering sound; And frogs in the pools singing at night, And wild plum trees in tremulous white, Robins will wear their feathery fire Whistling their whims on a low fence-wire; And not one will know of the war, not one Will care at last when it is done. Not one would mind, neither bird nor tree If mankind perished utterly; And Spring herself, when she woke at dawn, Would scarcely know that we were gone.
From The Language of Spring, edited by Robert Atwan, published by Beacon Press, 2003.
Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf,
So Eden sank to grief,
So dawn goes down to day
Nothing gold can stay.
HERE in a quiet and dusty room they lie,
Faded as crumbled stone and shifting sand,
Forlorn as ashes, shrivelled, scentless, dry –
Meadows and gardens running through my hand.
Dead that shall quicken at the voice of spring,
Sleepers to wake beneath June’s tempest kiss;
Though birds pass over, unremembering,
And no bee find here roses that were his.
In this brown husk a dale of hawthorn dreams;
A cedar in this narrow cell is thrust
That shall drink deeply at a century’s streams;
These lilies shall make summer on my dust.
Here in their safe and simple house of death,
Sealed in their shells, a million roses leap;
Here I can stir a garden with my breath,
And in my hand a forest lies asleep.
I love this poem, especially the last stanza, though I never see seeds as ashes or shrivelled, just glossy and plump with potential for the next year.
After such a glorious autumn the sleet and cold wind of this weekend are reminders that the first days of November arrive this week. I went out in the sleet to pick the last flowers and filled my pockets with the seeds I have been meaning to collect all month. In my trouser pocket I found a black acorn I had picked up under a local oak tree earlier. The path is meely with crushed fallen acorns, every single one regulation brown except this perfect black seed. A genetic variation that will maybe heat up faster in the spring ready to germinate, or maybe it is less palitable to squirrels or mabe just unusual enough to be prized by a passing human and planted somewhere new…. “ and in my hand a forest lies asleep.”
Today was hallucinogenic lace. Threads of nothing from branch to no where and then gone. Lines across the eyes that lift and leave and we feel that it meant something, but it couldn’t, it wasnt there.
The spiders were balloning. Fine autumn weather and wolf,house and crab spiders take to the air throwing out gossamer lines to launch the next generation on the wind. Such wonderful faith in the future, they throw themselves on the hallucinary beauty of the breeze. We blink our slow eyes and almost miss the marvellously minute migration in the air all around us.
Cathy's real country garden 
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