“…later flowers for the bees, Until they think warm days will never cease.”

Keats “ Ode to  Autumn” must have been inspired by a day like today. Sunshine has spun out so many  flowers, that it seems impossible cold weather will ever destroy them and frost crisp them: but it will.

Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease…

 

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The fungi replies (to Cathy’s real country garden)

PETER FRANKIS WRITES

The fungi replies (to Cathy’s real country garden)

 

I don’t know if they are artists’ pallets,
or horses’ hooves
it used to matter, but it doesn’t now.
They grew slowly, in dark arcs
and could support a book.
Their lips are white and moist
But speak another language.

 

Of course my clammy palms & veiny
glow are creepy mon cherie.
But, for a moment stay,
a little closer s’il vous plaît
To anyone who’ll listen
I whisper my refrain.

Hallelujah I sing of rot

and in the cell-by-cell undoing, life lives again
the forest blooms, the garden beds renew.
Here’s my truth, my mystery:
nothing is that hasn’t been
nothing is new
or ever lost.

 

 


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2 thoughts on “The fungi replies (to Cathy’s real country garden)”

 

Worthy of Andrew Marvel! ⏳

For the next spring.

The virtue of being an untidy gardener is that most of my flowers get to set seed. The down side is a shabby September garden!

So this year I decided to share seeds with friends at work. I filled seven bowls with seeds collected from the garden and the drive. All of them are seeds I know will germinate and make good plants and it was a great pleasure to feel their various textures between my fingers and have friends turn them over and ask questions about the colours and perfumes of the plants they will make.

 

Harriet Monroe, ed. (1860–1936). Poetry: A Magazine of Verse. 1912–22.

The Seed-shop
By Muriel Stuart

HERE in a quiet and dusty room they lie,
Faded as crumbled stone and shifting sand,
Forlorn as ashes, shrivelled, scentless, dry—
Meadows and gardens running through my hand.

Dead that shall quicken at the voice of spring,
Sleepers to wake beneath June’s tempest kiss;
Though birds pass over, unremembering,
And no bee find here roses that were his.

In this brown husk a dale of hawthorn dreams;
A cedar in this narrow cell is thrust
That shall drink deeply at a century’s streams;
These lilies shall make summer on my dust.

Here in their safe and simple house of death,
Sealed in their shells, a million roses leap;
Here I can stir a garden with my breath,
And in my hand a forest lies asleep.

 

I collected masses of wild marjoram, a heaped bowl of tiny yarrow, a pinch of pale wall flower seeds, a spiked ball of wild agrimony, a sliver of shining columbine seeds, a roll of tough everlasting pea seeds and a sliding flurry of flat honesty seeds.

I hope they have all gone to good homes and will flourish in new gardens.

 

 

 

 

Apple picking.

“….. and there may be two or three
Apples I didn’t pick upon some bough.
But I am done with apple-picking now.
Essence of winter sleep is on the night,
The scent of apples: ….”.

“After Apple Picking”  by Robert Frost.

Frost’s famous poem deals with the impossibility of doing everything, of caring for everything that needs our care. It is the quintessential poem of the sensitive in an insensitivity world.

I think after my exceptionally modest apple harvest, from my very small tree, after a famously bad frost would have inspired something very different. Maybe something about the triumph of hope over reality and the pleasure of saving a couple of apples before the slugs get them!

Slip, slop.

IMG_1984Larkin’s “Work Toad” is slowly, slip slopping his way towards me. With webbing and slime he makes his heavy, warty and unwanted way towards me, slowly, inexorably muttering bills, and health insurance and pension and taxes. And then plop! He is in my lap, heavy and inevitable. I wriggle, but there is no escape and we must share each other’s cold burden for another long year together.

Instructions on Not Giving Up

The walnut trees and the ash trees and the little red Japanese maples that were so cruely fried by the late frost and snow are coming back into leaf and this poem sums the sense of relief I feel perfectly.
You can hear the poem read aloud at:

fhttps://www.poets.org/poetsorg/poem/instructions-not-giving

More than the fuchsia funnels breaking out
of the crabapple tree, more than the neighbor’s
almost obscene display of cherry limbs shoving
their cotton candy-colored blossoms to the slate
sky of Spring rains, it’s the greening of the trees
that really gets to me. When all the shock of white
and taffy, the world’s baubles and trinkets, leave
the pavement strewn with the confetti of aftermath,
the leaves come. Patient, plodding, a green skin
growing over whatever winter did to us, a return
to the strange idea of continuous living despite
the mess of us, the hurt, the empty. Fine then,
I’ll take it, the tree seems to say, a new slick leaf
unfurling like a fist to an open palm, I’ll take it all.

Copyright © 2017 by Ada Limón. Originally published in Poem-a-Day on May 15, 2017, by the Academy of American Poets.ied

About this Poem
“It was a hard winter. My whole body raged against it. But right as the world feels uninhabitable, something miraculous happens: the trees come back. I wanted to praise that ordinary thing as a way of bringing myself back too.”
—Ada Limon-

Loveliest of Trees

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LOVELIEST of trees, the cherry now
Is hung with bloom along the bough,
And stands about the woodland ride
Wearing white for Eastertide.

Now, of my threescore years and ten,
Twenty will not come again,
And take from seventy springs a score,
It only leaves me fifty more.

And since to look at things in bloom
Fifty springs are little room,
About the woodlands I will go
To see the cherry hung with snow.

A. E. Housman

 

Today the cherry orchards were in full flower. It has been a cold snowy winter, but spring is spectacular and if the rain holds off, there should be an excellent cherry harvest.

In the woods the wild cherry were white against the dark conifers and I thought of this favourite Housman poem and counted my years left to ” watch the cherry hung with snow”.

The fate of Ash trees.

A disease called Ash die back has been sweeping Europe and slowly killing these lovely trees. Here on the Swiss French border foresters have decided to cut out all the diseased trees and the result is devastating .  It is not the first time a disease has spread into the wrong geographical location and destroyed a whole species. Elm trees were destroyed in Europe and America and this poem by Robert Francis captures the sadness of this loss and the need to look to the future with hope.

many thanks to cimple.life for introducing me to the poetry of Robert Francis.

 

The Fate of Elms

If they are doomed and all that can be done
Should fail, if they must die and disappear
And we must see them dying one by one,
Summer and fall and winter, year by year
Until there comes a summer so bereft
That over river, meadow, pasture height
No last and solitary elm is left
Lifting its leafy wings as if for flight—

Let us not make our grief for them too great
And say we wished that we had gone before,
Making the fate of elms too much our fate,
Seeing the always less and not the more.
Though elms may die, not everything must die:
Not their green memory against our sky.

Robert Francis